Urs tinkers with dedication

How is a smoothie made that not only tastes great but also lives up to Biotta's standards? Urs creates and perfects our Biotta smoothies and provides a behind-the-scenes look.

Urs Dietrich is our head of Research & Development and responsible for your flavor delights. In an interview, he discusses how he prepares for upcoming fruit trends and why the tongue is capable of far more than just digital databases.

Wo­für stehen die Biotta Smoothies?

Urs: Die Smoothies stehen für nach­hal­ti­gen Ge­nuss und Bio­-Qua­li­tät. Un­se­re Smoot­hies und Säf­te gibt es neu­er­dings auch mit funk­tio­na­lem Touch! Ge­nau wie bei den an­de­ren Biot­ta-Säf­ten las­sen wir Früch­te, Ge­mü­se und Kräu­ter spre­chen. Sie brau­chen des­halb kei­ne Aro­men und ha­ben im­mer ei­nen au­then­ti­schen Ge­schmack.

War­um sind Smoot­hies so be­liebt?

Urs: Sie ma­chen es ei­nem sehr ein­fach, das Gute aus Früch­ten und Ge­mü­se zu ge­niessen. Man muss nicht viel schä­len, rüs­ten oder zer­klei­nern. Sie sind ge­halt­vol­ler als Säf­te, weil sie auch Pü­ree ent­hal­ten und da­mit ein be­lieb­ter Snack zwi­schen­durch.

Wie be­rei­test du dich in dei­nem Krea­ti­vate­lier auf kom­men­de Frucht­trends vor?

Urs: Mit of­fe­nen Au­gen und Oh­ren (schmun­zelt).
Die Kunst be­steht dar­in, aus den vie­len In­puts, die aus al­len Rich­tun­gen kom­men, die­je­ni­gen zu er­ken­nen, die un­se­re Pro­duk­te wei­ter­brin­gen.
Ei­nen Pro­to­typ zu bau­en ist re­la­tiv ein­fach. Da­mit ein neu­es Pro­dukt den Weg zu den Kon­su­ment:in­nen fin­det, muss viel mehr zu­sam­men­pas­sen: Die Roh­stof­fe müs­sen zur rich­ti­gen Zeit in der rich­ti­gen Qua­li­tät ver­füg­bar sein, die Ge­setz­ge­bung muss pas­sen, die Re­zep­tur muss pro­du­zier­bar sein. Den Trend in ein neu­es Pro­dukt um­zu­set­zen, das Puz­zle zu­sam­men­zu­set­zen und zu ver­ste­hen, was geht, was funk­tio­niert, was am Ende auch pro­du­zier­bar ist, dar­in liegt die ei­gent­li­che Ma­gie.
Ein Koch wür­de die Ma­gie in dem Mo­ment auf den Tel­ler brin­gen, hier geht es eher dar­um, die Qua­li­tät im gro­ssen Mass­stab zu pro­du­zie­ren. Bei je­der Ab­fül­lung sol­len die ho­hen Er­war­tungs­kri­te­ri­en auch er­füllt wer­den. Wir müs­sen mit der Na­tur ge­hen. Man muss im­mer be­reit sein, die Schwan­kun­gen der Na­tur aus­zu­glei­chen. Dann sind wir im Game.

Why do you like your job?

UrsBeing able to create new products with creativity as a team and offer something new to our fans and consumers gives me so much back. Beverages have a very short lifecycle, we can implement new things pretty quickly. That's super exciting about the beverage industry and has always fascinated me. The possibilities are almost endless, I always find ways to refine juices and smoothies. That Biotta brings nature into the bottle is another dimension. So to speak, I become an explorer, searching for the next herbs or fruits, then I even stand in the field and discuss with the farmer what we could do next. That's great. You have to look around, check, turn over stones to find the best taste, the best aroma. Orange juice isn't just orange juice. Oranges from Italy taste different than oranges from Portugal. That's just how it is. Looking in the garden in front of the door to see what fits into the next Biotta blend is just cool. Finding the right raw materials that make you marvel when you take the first sip of the drink. That's the point, that's what makes Biotta. It's nice!Your passion is the combination possibilities and how you create the best taste. What do you place particular emphasis on?

Urs: Even here, the digital age has made its way in. You can now get surprising flavor combinations suggested to you by databases. That's fascinating, but what's groundbreaking for me is still what you taste on your tongue when you take the first sip of a new development. A lot of memories come into play there, as well as knowledge about the raw materials – neither of which a computer has. I actually always carry around ideas with me that I could implement. I already have the taste and smell on my tongue. It's like a conductor who already hears an instrument in their head beforehand.